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Running time 122 minutes Country Language Budget ₹80 million (US$1. Kagan Cooperative Learning Timer Tools For The Classroom. 2 million) Box office ₹1.04 billion (US$16 million) Kahaani ( IPA:; 'Story') is a 2012 Indian -language co-written, co-produced and directed. It stars as Vidya Bagchi, a pregnant woman searching for her missing husband in during the festival of, assisted by Satyoki 'Rana' Sinha () and Khan (). Made on a shoestring budget of ₹80 million (US$1.2 million), Kahaani was conceived and developed by Ghosh, who co-wrote the film with Advaita Kala. The crew often employed techniques on 's city streets to avoid attracting attention. The film was noted for its deft portrayal of the city and for making use of many local crew and cast members.

Kahaani explores themes of feminism and motherhood in male-dominated Indian society. The film also makes several allusions to 's films such as (1964) and (1970). Kahaani was released worldwide on 9 March 2012. Critics praised the screenplay, the cinematography and the performances of the lead actors.

Following critical acclaim and word-of-mouth publicity, the film earned ₹1.04 billion (US$16 million) worldwide in 50 days. The film won, including three and five. The latter included trophies for (Ghosh) and (Vidya). A sequel, titled, was released on 2 December 2016. Contents • • • • • • • • • • • • • • • • Plot [ ] A poison-gas attack on a compartment kills the passengers on board.

Two years later Vidya Bagchi (), a pregnant, arrives in from London during the festivities in search of her missing husband, Arnab Bagchi. A police officer, Satyoki 'Rana' Sinha (), offers to help. Although Vidya claims that Arnab went to Kolkata on an assignment for the National Data Center (NDC), initial investigations suggest that no such person was employed by the NDC. Agnes D'Mello, the NDC's head of human resources, suggests to Vidya that her husband resembled former employee Milan Damji (), whose file is probably kept in the old NDC office. Before Agnes can provide any further help she is killed by Bob Biswas (), an assassin working undercover as a life insurance agent. Vidya and Rana break into the NDC office and find Damji's file, barely escaping an encounter with Bob, who is searching for the same information. Meanwhile, the attempts to obtain Damji's records have attracted the attention of two (IB) officials in Delhi—the chief Bhaskaran K.

() and his deputy Khan (). Khan arrives in Kolkata and reveals that Damji was a rogue IB agent responsible for the poison-gas attack. In spite of Khan's warnings, Vidya continues her search, fearing that Arnab's resemblance to Damji may have led him into trouble.

The address on Damji's record leads Vidya and Rana to a dilapidated flat. An errand boy from the neighbourhood tea stall identifies R. Sridhar (Shantilal Mukherjee), an NDC officer, as a frequent visitor to Damji's flat. Bob attempts to kill Vidya, but fails, and is run over by a car during a chase. Examination of Bob's mobile phone leads Vidya and Rana to an sending instructions to kill her. They break into Sridhar's office to verify his IP address, but he is alerted electronically and returns to his office.

Vidya accidentally shoots Sridhar dead during a scuffle, which upsets Khan, who had wanted him alive. Sridhar's computer data reveals a code, which when deciphered reveals Bhaskaran's phone number. Vidya calls Bhaskaran to tell him that she has retrieved sensitive documents from Sridhar's office. She asks Bhaskaran to help find her husband in exchange for the documents, but Bhaskaran tells her to contact the local police. Vidya soon gets a call from an unknown number however, warning her that she should hand over the documents to the caller if she wishes to see her husband alive.

Khan thinks the caller is Milan Damji. Vidya goes to meet Damji, followed by Rana and Khan. Damji cuts the meeting short when Vidya expresses her doubt that he will be able to return her husband in exchange for the sensitive file, and he attempts to leave. Vidya tries to stop him, and in the ensuing struggle Damji draws a gun on her. Vidya disarms him using the prosthetic belly she has been using to fake her pregnancy and promptly stabbing him in the neck with her, before shooting him with his own gun.

She flees into the crowd before the police arrive, leaving a thank you note for Rana and a containing data from Sridhar's computer, which leads to Bhaskaran's arrest. Rana concludes that no Vidya or Arnab Bagchi ever existed, and that Vidya had been using the police and the IB to achieve her own ends. Vidya is revealed to be the widow of Arup Basu (), an IB officer and Damji's colleague, who was killed in the poison-gas attack, which also caused Vidya to immediately fall unconscious upon seeing her husband's corpse and suffer a miscarriage. In her mission to avenge his and their unborn child's death, Vidya was helped by retired IB officer Pratap Bajpayee (), who suspected the involvement of a top IB official. Cast [ ] • as Vidya Venkatesan Bagchi • as Satyoki 'Rana' Sinha • as A. Khan • as Milan Damji • as Bhaskaran K.

• as Bob Biswas • as Colonel Pratap Bajpayee • as Arup Basu • as R. Shridhar, chief technical officer at the NDC • as Inspector Chatterjee, a friendly inspector at the Kalighat Police Station. • Colleen Blanche as Agnes D'Mello • Nitya Ganguli as Mr. Das, the guest house owner.

• Ritabrata Mukherjee as Bishnu, a worker at the guest house. • Pamela Bhuttoria as Sapna, an employee at NDC. • Kalyan Chatterjee as Paresh Pal, a clay artist and a police informer. • as Poltu, a worker at a tea-stall. • Massod Akhtar as Rasik Tyagi, systems supervisor at the NDC Production [ ] Development [ ] approached novelist and script writer Advaita Kala with the idea for the film. Kala took inspiration from her experience in Kolkata, where she had moved in 1999, akin to the protagonist in the film.

She reported that despite facing a language barrier and the chaos and poverty of the metropolis, she was charmed by the warmth of the people, which was reflected in the film. Kala started writing in 2009 and finished the 185-page script by February 2010.

Her research included reading the books Open Secrets: India's Intelligence Unveiled by Maloy Krishna Dhar and India's External Intelligence: Secrets of (RAW) by V. Ghosh, who co-wrote the story and the screenplay, began to plan the film while awaiting the release of his previous film (2009), but the dismal response to Aladin was a setback.

He had to approach several producers to finance him for Kahaani, but was refused and discouraged from making the film owing to three factors: a pregnant woman as the lead star, a bunch of unknown Bengali actors as the supporting cast and Kolkata as a backdrop. Were willing to produce the film, but wanted Ghosh to sign a three-film deal, which he declined because he did not want that much commitment. Cricut Expression 2 Device Driver. Bengali film actor encouraged Ghosh to shoot in Kolkata. Ghosh finally selected Kolkata for several reasons: the director's acquaintance with the city, its mix of modernity and old-world charm, and budget constraints. Kolkata is a cheaper location than Mumbai or Delhi, where most Bollywood films are shot. Ghosh admitted in an interview that after his two preceding directorial ventures— Aladin and (2005)—performed poorly at the box office, Kahaani was his last chance to create a niche as a director. He added that the film's plot twist came somewhat accidentally.

Having described the skeleton of the story to a friend during its development, the friend called him back a few days later to enquire about his film. The friend had mistakenly imagined sequences which he assumed to be parts of the plot, from which the twist ending was derived. A road in Kolkata showing congested traffic and yellow taxis.

The skillful portrayal of the city in the film was noted by reviewers. Some reviewers note that a major protagonist is Kolkata itself, which is 'brimming with warm, sympathetic inhabitants'. A review in Rediff.com notes that the director pays a 'fond yet understated tribute' to the city by incorporating imagery such as 'yellow taxis, leisurely trams, congested traffic, claustrophobic metros, dilapidated brick houses, tapering alleys, rajnigandhas, lal paad saris, piping hot luchis'. According to the reviewer, Kahaani did not depend on the tropes of Kolkata culture typically used in Bollywood film—'O-emphasizing accent, dramatic play of conch shells, / excesses.' The director acknowledges that Kolkata 'becomes a central character' of the film. Gautaman Bhaskaran, writing for, notes that Kolkata imagery was polished up in the film; noted Bengali director argues that the portrayal of the city in Kahaani was akin to a ' exotica' on the city.

Uddalak Mukherjee of The Telegraph explains that Kolkata in Kahaani was cosmetic and lacked a deep menacing presence. Mukherjee argues the depiction of the city never matches the level of 's, where 'aided by bloodshed, greed and decadence,.Calcutta., even though a place of dreams, desires and hope, slides irreversibly into chaos, anxiety and a moral crisis, taking its residents with it'.

Durga Puja, the autumnal festival to worship goddess, plays a prominent role in the story. The allegorical yearly return of goddess Durga to slay the demon is alluded to at the end of the film. According to Uddalak Mukherjee of The Telegraph, 'Durga Puja, with its of idols, immersion processions,, even an entire crowd of women draped in white saris with red borders, is central to the film's. Visual aesthetic.' A review in Rediff.com praised the depiction of the festivities in Kolkata, a city well known for its celebration of Durga Puja.

The colour scheme of Kahaani was inspired by the painting Pratima Visarjan. Ghosh acknowledges the allusions to Ray's films. In one scene, Vidya asks the manager of the guest house why there is no hot water although the signboard had claimed 'running hot water'. The manager explains that the sign refers for his errand boy, who runs to deliver hot water in a kettle whenever required. This alludes to a similar scene in Ray's (1979). In an interview with The Telegraph, Ghosh says that the way Vidya looks out and moves from window to window in the guest-house room is reminiscent of Ray's (1964), where the actress enjoys glimpses of the outside world through the blinds of windows.

He also acknowledges the influence of (1963), another Ray film noted for its portrayal of Kolkata. According to the director, he was inspired by particular scenes of Ray's (1966) to plan the portrayal of complex emotional issues between Vidya and the police officer Rana, especially Rana's awe in the presence of Vidya.

Ghosh expresses his inspiration from Ray's (1970) in which Ray 'wanted the audience to be inside the car with the four guys all the time. So the camera never leaves the car.' Ghosh shot a similar scene, hoping the audience would become 'like Vidya's fellow passenger.' Besides Ray's films, Ghosh also admits inspiration from what he calls 'visually striking' films of the 1970s and 1980s, such as (1975). Critics have compared the fake-pregnancy twist of Kahaani with the 2004 American psychological thriller.

The sequences towards the end that explain the missing pieces of the mystery were compared with (1995). Ghosh writes that the film was heavily influenced by the colour scheme of the Pratima Visarjan, a c.1915 watercolour by the artist. Soundtrack [ ] Kahaani by Released 14 February 2012 Length 28: 18 Abhijit Nalani,, chronology (2011) 2011 Kahaani (2012) (2012) 2012 The musical score was composed by, and the lyrics for the film's six songs were written by Vishal Dadlani, Anvita Dutt and Sandeep Srivastava. Several of 's Hindi and Bengali compositions were used in the background. An album of the music was released on 22 February 2012 and subsequently on the platform since its inception from mid-2012.

The soundtrack received positive reviews, and was praised for its amalgamation of Bengali and Hindi lyrics. A review in states that the song 'Ami Shotti Bolchi' is able to partially convey the feel of Kolkata, and that the soundtrack 'features right voices with the overall mood of the album'. Rated the album with 3 stars out of 5. Reviewing the soundtrack for, Anand Vaishnav commented that ' Kahaani, as an album, stays honest to the theme of the film'.

All lyrics written by Vishal Dadlani, Anvita Dutt and Sandeep Srivastava, except where noted. Title Singer(s) Length 1. 'Aami Shotti Bolchi', Vishwesh Krishnamurthy 3:20 2.

'Piya Tu Kahe Rootha Re' 4:59 3. 'Kahaani (Male)', 4:26 4.

'Tore Bina' 5:52 5. 'Kahaani (Female)', Vishal Dadlani 4:28 6. ' () 5:13 Total length: 28:18 Marketing and release [ ] Kahaani 's first-look poster was launched on 2 December 2011, and the official trailer on 5 January 2012. The poster, portraying a pregnant Vidya Balan and lacking any romantic element, was well received. Critics' expectations were low, owing to the director's previous box-office failures.

Vidya appeared in public with a prosthetic belly to promote the film, and mingled with the public in railway stations, bus stands and markets. She often carried a sketch of her on-screen missing husband, and asked people to help in finding him.

Social-networking website developed an online game, The Great Indian Parking Wars, which required players to park Vidya's taxi on a street; it was well-received, reaching 50,000 hits in 10 days. Vidya (centre) and Chatterjee (to her right) celebrate the success of Kahaani. On 5 March 2012, prior to release, Kolkata Metro authorities objected to a scene in which Vidya is pushed by a man onto the tracks as a train arrives.

They requested that the scene be removed, as it would remind people of the past suicides, which had tarnished the railway's image. The filmmakers screened the scene for the authorities and explained that nothing in the film would affect the image of the Metro or prompt people to commit suicide. Convinced, the officials withdrew their objections, and the scene was retained, although it was removed from trailers. Kahaani was released on 9 March 2012, a day after. It played on 1100 screens worldwide. CNN-IBN reported that although Kahaani was ready before The Dirty Picture, distributors deferred its release, fearing that Vidya's role of a sexy siren (in The Dirty Picture) after that of a pregnant woman might not be received well.

Bought the exclusive right to broadcast the film for a price of ₹80 million (US$1.2 million), which was the highest-ever price paid for a female-centric film in India. The Indian television premiere of the film was on channel on 3 June 2012. The DVD of the film was released on 17 May 2012 across all regions in a one-disc pack in NTSC format. Distributed by, it contained additional content, such as behind-the-scene footage, video of celebration parties after its theatrical release, and music videos of the songs of the film. The and versions were released at the same time.

Reception [ ]. See also: Professional ratings Review scores Source Rating Bollywood Hungama CNN-IBN Hindustan Times Indo-Asian News Service Rediff The Hindu Favourable Outlook The Telegraph The Times of India Yahoo Zee News Kahaani garnered generally positive reviews from critics. According to review aggregator Review Gang the film received a rating of 7.5 out of 10, based on the reviews by professional critics. Good publicity played a part in its popularity besides the positive reviews.

Called the film 'a mind-juggling medley of manipulation masquerading as a 'mother of a story'. Of gave the film 4 out of 5 stars, and praised Vidya's acting. Commented 'Once again, a 'pregnant' Vidya, ironically displays more 'male ornaments'. Than most heroes.' The reviews in,, CNN-IBN, Zee News,, and were unanimously positive, and noted script, direction, cinematography, and acting as strong points of the film.

Noted film actress and multiple winner lauded Vidya for her performance,'As an actor, I could see she [Vidya] was making all the right moves throughout the film. There was not a single artificial note in her performance.' Russell Edwards, the reviewer for, praised the cast, cinematography, and direction, and commented that despite occasional glitches, the 'adroit thriller.

Maintains momentum and credibility.' Many reviewers criticised the film's climax and certain features, feeling that they deviated from its general style. Rituparna Chatterjee of CNN-IBN noted that the climax of the film was a 'huge dampener' and explained, 'The diabolic twist at that juncture got underplayed.

What follows is a sobfest. The apologetic explanation of why she does what she does. Justifying her action comes across more as an effort to appease the Indian morality'. The review noted, 'At times, Kahaani is too clever, at others extremely pedestrian like in the depiction of computer hacking and IB operations, not to speak of the ludicrous terrorist angle and the all-too predictable Durga Puja setting for that mythology tie-in.' It adds that the 'spoon-feeding' of reasons at the end dampens the intrigue factor.

The review in comments that the Durga metaphor at the end was enforced, and that the film over-indulged in Bengali stereotypes. Gautaman Bhaskaran, in his review in Gulf Times, noted that the sometimes-handheld photography was 'as irksome as the plot with a sleuth too many and cops galore.' Though Kahaani received critical acclaim, it was a slow starter at the box office, opening to a poor response on the first day, but gradually picking afterwards. According to The Telegraph, the film earned almost ₹20 million (US$310,000) from the state of West Bengal within the first three days of its release. At in Kolkata, occupancy increased from 47% on Friday 9 March, the day of release, to 77% on 10 March and to around 97% on 11 March., a website on Indian film trade, reported that the film collected nearly ₹240 million (US$3.7 million) in its first week, well beyond its production cost of ₹80 million (US$1.2 million).

It grossed ₹190 million (US$3.0 million) in second week to make a two-week total of around ₹430 million (US$6.7 million) in India; this led Box Office India to declare the film a 'Super Hit'. The film was successful in the international box office as well, garnering ₹80 million (US$1.2 million) within 10 days of its release in seven markets—UK, US, UAE, Australia, New Zealand, Malaysia and Pakistan, according to Bollywood Hungama, a film-related website. By the third week, according to CNN-IBN, it had grossed ₹750 million (US$12 million), including India and overseas market. Hindustan Times reported that Kahaani made a worldwide gross of ₹1,044.3 million (US$16 million) within 50 days of its release. Kahaani was nominated for, and won, many awards.

The nominated the film for six of their categories, where it won five, including Best Actress for Vidya and Best Director for Ghosh. Kahaani received thirteen nominations at the, and won five, including Best Actress and Best Story. At the, Kahaani won five awards, including Best Film (Critics) and Best Actress (Critics), out of fifteen nominations. At the 2013 ceremony, Kahaani was announced Hottest Film of the Year while Vidya received for the.

Kahaani was awarded the Most Entertaining Film of the Year at the 3rd ceremony of the. At the, Ghosh won, Namrata Rao won, and Nawazuddin Siddiqui won a award. Impact [ ] Following Kahaani 's success, Kolkata became a preferred destination for filmmakers. They felt the landscapes of Mumbai and Delhi were overused for several decades, while Kolkata retained its unique visuals such as, rickety trams,, dingy bylanes, palatial mansions, dilapidated houses of North Kolkata, roadside eateries, ghats of river Ganga, British-era buildings, restaurants and iconic structures and areas including Howrah Bridge, Kalighat Temple, Nakhoda Mosque, Kumortuli idol-making district and. Monalisa Guest House, the lodge which hosted Vidya Bagchi in the film, became a local attraction. Several hundreds have visited it since the film's release, to the extent that the owners planned to increase tariffs and renovate the rooms around a Kahaani theme. The potbellied contract killer Bob Biswas became an, the subject of several jokes and pieces of, which circulated through and.

'Nomoshkar, Aami Bob Biswas. ('Hello, I am Bob Biswas. Do you have a minute?' )—the monologue he repeatedly uses just before murdering his victims—was used in different. A and a television show based on Bob Biswas were being planned, as of March 2012. Two remakes of Kahaani were released in 2014: a Telugu remake titled, and its Tamil version Nee Enge En Anbe, both directed by and featuring as the lead character.

An English-language remake, entitled Deity, will be directed by the director and produced by Yashraj Films, with production scheduled to begin in 2015. Main article: In March 2012, Sujoy Ghosh announced that he intended to develop Kahaani into a series. He was inspired by Satyajit Ray's detective series and wanted to continue the stories of Vidya Bagchi on similar lines, with Vidya Balan reprising the role. The shooting of Kahaani 2 was scheduled to begin in 2013, but in July 2013 differences arose between Sujoy Ghosh and other co-producers. In February 2014, Vidya announced that the sequel was not happening due to these differences, but two years later, Ghosh confirmed that the film was in pre-production with Vidya set to reprise her role. The sequel, entitled, began filming in March 2016 with Vidya and in lead roles, and was released on 2 December 2016.

• A workshop on Bijli Road in Kolkata. • Sindoor khela is a ritual on Vijayadashami in which married women anoint each others' faces with sindoor (vermilion). • Rajanigandha () flowers are used in religious and social events in India. • Lal paad sari, meaning with red border, usually white sari with red border, is traditionally considered auspicious and worn in many religious or social occasions in. • is a deep-fried made of wheat flour, typical of and some other cuisines. It is often eaten with a potato curry or a made of yellow split-peas.

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