• ' Released: August 30, 1993 • ' / ' Released: December 6, 1993 • ' Released: April 19, 2014 In Utero is the third and final studio album by American band, released on September 21, 1993,. Nirvana intended for the record to diverge significantly from the polished production of its previous album, (1991). To capture a more abrasive and natural sound, the group hired engineer to record In Utero during a two-week period in February 1993 at in. The music was recorded quickly with few studio embellishments, and the song lyrics and album packaging incorporated medical imagery that conveyed frontman 's outlook on his publicized personal life and his band's newfound fame. Soon after recording was completed, rumors circulated in the press that DGC might not release the album in its original state, as the record label felt that the result was not commercially viable. Although Nirvana publicly denied the statements, the band opted to remix parts of the album. Albini declined to alter the album further, and ultimately the band hired producer to make minor changes to the album's sound and remix the singles ' and '.

Upon release, In Utero entered the chart at number one and received critical acclaim as a drastic departure from Nevermind. The record has been five times platinum by the, and has sold 15 million copies worldwide.

Country: USA Genre: Grunge, Alternative Rock Years active: 1987 - 1994 Quality: MP3@CBR 320 kbps Studio Albums 1989 - Bleach (Japanese Limited.

A sign welcomes visitors to the secluded location of Pachyderm Studios (now Seedy Underbelly North), where Nirvana stayed in virtual solitude while recording the album In February 1993, Nirvana traveled to in, to record the album. Albini did not meet the band members until the first day of recording, though he had spoken to them beforehand about the type of album they wanted to make. Albini observed that 'they wanted to make precisely the sort of record that I'm comfortable doing'. The group stayed in a house located on the studio grounds during the recording sessions. Novoselic compared the isolated conditions to a; he added, 'There was snow outside, we couldn't go anywhere. We just worked.' For most of the sessions, the only people present were the band members, Albini, and technician.

The band made it clear to DGC and Gold Mountain that it did not want any intrusion during the album production, going as far as not playing any of the work in progress for its record label representative. To prevent the group's managers and label from interfering, Albini instituted a strict policy of ignoring everyone except for the band members; the producer explained that everyone associated with the group aside from the musicians themselves were 'the biggest pieces of shit I ever met'. The band arrived at Pachyderm Studio without their equipment and spent much of the first three days waiting for it to arrive by mail.

However, once recording began on February 13, work moved quickly. On most days the group began work around midday, took breaks for lunch and dinner, and continued work through midnight. Cobain, Novoselic, and Grohl recorded their basic instrumental tracks together as a band. The group utilized this set-up on all songs except for faster compositions like 'Very Ape' and 'Tourette's', where the drums were recorded separately in a nearby kitchen due to its natural.

Albini surrounded Grohl's drum kit with about 30 microphones. Cobain added additional guitar tracks to about half of the songs, then added guitar solos, and finally vocals. The band did not discard takes and kept virtually everything it captured on tape. Albini felt he was more an engineer than a producer; despite his personal opinions, he ultimately let the band judge which were decent takes.

He said, 'Generally speaking, [Cobain] knows what he thinks is acceptable and what isn't acceptable [.] He can make concrete steps to improve things that he doesn't think are acceptable.' Cobain reportedly recorded all his vocal tracks in six hours. The band completed recording in six days; Cobain had originally anticipated disagreements with Albini, who the singer heard 'was supposedly this jerk', but called the process 'the easiest recording we've ever done, hands down'. The only disruption occurred a week into the sessions, when Courtney Love arrived because she missed Cobain. The band, Love, and Albini refused to go into specifics, but Weston's girlfriend (who served as the studio's chef) stated that Love created tension by criticizing Cobain's work and being confrontational with everyone present.

The album was over five days. This rate was quick by Nirvana's standards, but not for Albini, who was used to mixing entire albums in a day or two. On occasions when work on a song mix was not producing desired results, the band and Albini took the rest of the day off to watch nature videos, set things on fire, and make prank phone calls for amusement. The sessions were completed on February 26. Music and lyrics [ ].

'Rape Me' is an anti-rape song. Problems playing these files? Albini sought to produce a record that sounded nothing like Nevermind. He felt the sound of Nevermind was 'sort of a standard hack recording that has been turned into a very, very controlled, compressed radio-friendly mix [.] That is not, in my opinion, very flattering to a rock band.'

Instead, the intention was to capture a more natural and visceral sound. Albini refused to Cobain's vocals and instead recorded him singing alone in a resonant room. The producer noted the intensity of the singer's vocals on some tracks; he said, 'There's a really dry, really loud voice at the end of 'Milk It'. That was also done at the end of ', where [Cobain] wanted the sound of him screaming to just overtake the whole band.' Albini achieved the album's sparse drum sound by simply placing several microphones around the room while Dave Grohl performed, picking up the natural of the room. Albini explained, 'If you take a good drummer and put him in front of a drum kit that sounds good acoustically and just record it, you've done your job.'

Azerrad asserted in his 1993 biography that the music of In Utero showcased divergent sensibilities of abrasiveness and accessibility that reflected the upheavals Cobain experienced prior to the album's completion. He wrote, 'The 'Dumb' happily coexists beside the all-out frenzied graffiti of 'Milk It,' while 'All Apologies' is worlds away from the apoplectic 'Scentless Apprentice.' It's as if [Cobain] has given up trying to meld his punk and pop instincts into one harmonious whole. This is war.' Cobain believed, however, that In Utero was not 'any harsher or any more emotional' than any of Nirvana's previous records. Novoselic concurred with Azerrad's comments that the album's music leaned more towards the band's 'arty, aggressive side'; the bassist said, 'There's always been [Nirvana] songs like ' and there's always been songs like 'Paper Cuts'.

Nevermind came out kind of 'About a Girl'-y and this [album] came out more 'Paper Cuts'. Cobain cited the track 'Milk It' as an example of the more experimental and aggressive direction in which the band's music had been moving in the months prior to the sessions at Pachyderm Studio. Novoselic viewed the album's singles ' and ' as 'gateways' to the more abrasive sound of the rest of the album, telling journalist that once listeners played the record, they would discover 'this aggressive wild sound, a true alternative record'. Several of the songs on In Utero had been written years prior to recording; some of them dated back to 1990. With tracks like 'Frances Farmer Will Have Her Revenge On Seattle', Cobain favored long song titles in reaction to contemporary alternative rock bands that utilized single-word titles. Cobain continued to work on the lyrics while recording at Pachyderm Studio.

Nonetheless, Cobain told in in 1993 that, in contrast to Bleach and Nevermind, the lyrics were 'more focused, they're almost built on themes.' Michael Azerrad asserted that the lyrics were less impressionistic and more straightforward than in previous Nirvana songs.

Azerrad also noted that '[v]irtually every song contains some image of sickness and disease'. In a number of songs, Cobain made reference to books he had read. 'Frances Farmer Will Have Her Revenge On Seattle' was inspired by, a 1978 biography of actress, with whom Cobain had been fascinated ever since he read the book in high school. The song 'Scentless Apprentice' was written about, a historical horror novel about a perfumer's apprentice born with no body odor of his own but with a highly developed sense of smell, and who attempts to create the 'ultimate perfume' by killing virgin women and taking their scent. Cobain stated in a 1993 interview with that 'for the most part [ In Utero]'s very impersonal'. The songwriter also told that year that the abundance of infant and childbirth imagery on the album and his newfound fatherhood were coincidental.

However, Azerrad argued that much of the album contains personal themes, noting that Grohl held a similar view. Grohl said, 'A lot of what he has to say is related to a lot of the shit he's gone through. And it's not so much teen angst anymore. It's a whole different ball game: rock star angst.' Cobain downplayed recent events ('I really haven't had that exciting a life') and told Azerrad that he did not want to write a track that explicitly expressed his anger at the media, but the author countered that 'Rape Me' seemed to deal with that very issue. While Cobain said the song was written long before his troubles with drug addiction became public, he agreed that the song could be viewed in that light.

'Serve The Servants' contains comments about Cobain's life, both as a child and as an adult. The opening lines 'Teenage angst has paid off well/Now I'm bored and old' were a reference to Cobain's state of mind in the wake of Nirvana's success. Cobain dismissed the media attention given to the effect his parents' divorce had on his life with the line 'That legendary divorce is such a bore' from the chorus, and directly addressed his father with the lines 'I tried hard to have a father/But instead I had a dad/I just want you to know that I don't hate you anymore/There is nothing I could say that I haven't thought before'. Cobain said he wanted his father to know he did not hate him, but had no desire to talk to him. Packaging and title [ ] Cobain originally wanted to name the album I Hate Myself and I Want to Die, a phrase that had originated in his journals in mid-1992. At the time, the singer used the phrase as a response whenever someone asked him how he was doing.

Cobain intended the album title as a joke; he stated he was 'tired of taking this band so seriously and everyone else taking it so seriously'. Novoselic convinced Cobain to change the title due to fear that it could potentially result in a lawsuit. The band then considered using Verse Chorus Verse—a title taken from its song 'Verse Chorus Verse', and an earlier working title of 'Sappy'—before eventually settling on In Utero. The final title was taken from a poem written by Courtney Love. The art director for In Utero was Robert Fisher, who had designed all of Nirvana's releases on DGC. Most of the ideas for the artwork for the album and related singles came from Cobain.

Fisher recalled that '[Cobain] would just give me some loose odds and ends and say 'Do something with it.' ' The cover of the album is an image of a, with angel wings superimposed. Cobain created the collage on the back cover, which he described as 'Sex and woman and In Utero and vaginas and birth and death', that consists of model fetuses, a turtle shell and models of turtles, and body parts lying in a bed of orchids and lilies. The collage had been set up on the floor of Cobain's living room and was photographed by after an unexpected call from Cobain.

The album's track listing and re-illustrated symbols from 's The Woman's Dictionary of Symbols and Sacred Objects were then positioned around the edge of the collage. Production controversy and remixing [ ] After the recording sessions were completed, Nirvana sent unmastered tapes of the album to several individuals, including the president of DGC's parent company Ed Rosenblatt and the group's management company Gold Mountain. When asked about the feedback he received, Cobain told Michael Azerrad, 'The grown-ups don't like it.' He said he was told his songwriting was 'not up to par', the sound was 'unlistenable', and that there was uncertainty that mainstream radio would welcome the sound of Albini's production. There were few people at Geffen or Gold Mountain who wanted the band to record with Albini to begin with, and Cobain felt he was receiving an unstated message to scrap the sessions and start all over again. Cobain was upset and said to Azerrad, 'I should just re-record this record and do the same thing we did last year because we sold out last year—there's no reason to try and redeem ourselves as artists at this point. I can't help myself—I'm just putting out a record I would like to listen to at home.'

However, a number of the group's friends liked the album, and by April 1993, Nirvana was intent on releasing In Utero as it was. According to Cobain, 'Of course, they want another Nevermind, but I'd rather die than do that.

This is exactly the kind of record I would buy as a fan, that I would enjoy owning.' The band members began to have doubts about the record's sound. During this time, Cobain admitted, 'The first time I played it at home, I knew there was something wrong. The whole first week I wasn't really interested in listening to it at all, and that usually doesn't happen. I got no emotion from it, I was just numb.' The group concluded that the bass and lyrics were inaudible and approached Albini to remix the album. The producer declined; as he recalled, '[Cobain] wanted to make a record that he could slam down on the table and say, 'Listen, I know this is good, and I know your concerns about it are meaningless, so go with it.'

And I don't think he felt he had that yet. My problem was that I feared a slippery slope.' The band attempted to fix its concerns with the record during the process with at his studio in. Novoselic was pleased with the results, but Cobain still did not feel the sound was perfect. • 'Gallons of Rubbing Alcohol Flow Through the Strip' (Originally appeared on non-U.S. Pressings of In Utero) (Cobain, Grohl, Novoselic) • ' (B-side of 'Heart-Shaped Box') (Grohl) – 2:34 • 'Moist Vagina' (2013 Mix) (B-side of 'All Apologies' / 'Rape Me') – 3:33 • ' (2013 Mix) (Originally appeared as a hidden track on the compilation album, under the title 'Verse Chorus Verse') – 3:28 • ' (2013 Mix) (Originally appeared on compilation album and as a B-side to 'Pennyroyal Tea') – 2:59 • 'Pennyroyal Tea' (Litt 1993 mix) – 3:36 • 'Heart-Shaped Box' (Albini 1993 mix) – 4:42 • 'All Apologies' (Albini 1993 mix) – 3:58.

CD 1 - Bleach (Deluxe Edition) 01. Floyd the Barber 03. About a Girl 04. Love Buzz 06. Paper Cuts 07.

Negative Creep 08. Swap Meet 10.

Moustache 11. Big Cheese 13.

Downer CD 2 - Live at Pine Street Theatre 01. Intro (live) 02.

School (live) 03. Floyd the Barber (live) 04. Dive (live) 05.

Love Buzz (live) 06. Spank Thru (live) 07. Molly’s Lips (live) 08. Sappy (live) 09. Autocad 2015 Crack 64 Bit Xforce Keygen Free Download.

Scoff (live) 10. About a Girl (live) 11. Been a Son (live) 12. Blew (live) Descarga. Breed (3:14) 02. Drain you (3:40) 03.

Aneurysm (4:37) 04. School (2:45) 05.

Sliver (2:08) 06. In bloom (4:38) 07. Come as you are (3:38) 08. Lithium (4:24) 09. About a girl (2:54) 10. Tourette's (1:53) 11.

Polly (2:51) 12. Lounge act (2:39) 13. Smells like teen spirit (4:47) 14.

On a plain (3:02) 15. Negative Creep (2:54) 16. Been a son (2:15) 17. All apologies (3:12) 18.

Blew (3:22) 19. Dumb (2:34) 20. Stay away (3:35) 21. Spank thru (3:09) 22. The Money Will Roll Right In (2:19) 23. D-7 (3:46) 24.

Territorial Pissings (4:30) Descarga. About A Girl (an alternate version of the bleach album classic 1989) 02. Polly (an early studio take electric rather than acoustic 1989) 03. Spank Thru (the bleach album outtake, here in a re-recorded format 1989) 04. In Bloom (the first version, recorded and mixed by butch vig; 1990) 05.

Love Buzz (a re-recording of the debut single, produced by ted de bono; 1989) 06. Dive (dive in to this remix, done at smart studios, madison; 1990) 07.

Lithium (well the other five didn't cut it, so this is take six; 1990) 08. Sappy (the last take on the vig demo, let's go roll tape butch; 1990) 09. Pay To Play (as well as this, the original version of stay away; 1990) 10. Immodium (the garbageman also caught this early version of breed; 1990) 11.

Polly (whilst at butch's studio they cut an acoustic take; 1990) 12. Drain You (the same goes for this one with a great gothic middle; 1991) 13. Lounge Act (rare live version recorded in a football stadium in argentina; 1992) 14. Dumb (an early version produced by mike engles & tim durham; 1991) 15.

Jesus Doesn't Want Me For A Sunbeam (an electric live version recorded on the nevermind tour; 1991) 16. Dementia Seven (and they only played this on early dates on the tour; 1991) 17.

Endless-Nameless (an alternate version of the nevermind album secret track; 1991) 18. Here She Comes Now (as above, this is the rare electric live version; 1991) 19. Pennyroyal Tea (and can you believe they were playing this live back in 1991) Descarga. You Know You're Right (3:38) 02. About A Girl (2:49) 03.

Been A Son (2:24) 04. Sliver (2:14) 05. Smells Like Teen Spirit (5:01) 06. Come As You Are (3:39) 07. Lithium (4:17) 08.

In Bloom (4:15) 09. Heart-Shaped Box (4:42) 10. Pennyroyal Tea [Scott Litt Remix] (3:38) 11.

Rape Me (2:51) 12. Dumb (2:34) 13. All Apologies [Live, MTV Unplugged] (3:48) 14.

Man Who Sold The World [Live, MTV Unplugged] (3:50) 15. Something In The Way [Live, MTV Unplugged] (3:33) 16.

Where Did You Sleep Last Night [Live, MTV Unplugged] (5:02) Descarga. Heartbreaker (Live, 1987 (First Nirvana Show)) (3:00) 02. Anorexorcist (Radio Performance, 1987) (2:45) 03.

White Lace And Strange (Radio Performance, 1987) (2:09) 04. Help Me I'm Hungry (Radio Performance, 1987) (2:42) 05. Butterworth (Rehearsal Recording, 1988) (4:05) 06. If You Must (Demo, 1988) (4:01) 07. Pen Cap Chew (Demo, 1988) (3:02) 08. Downer (Live, 1988) (1:43) 09. Floyd The Barber (Live, 1988) (2:33) 10.

Raunchola, Moby Dick (Live, 1988) (6:25) 11. Beans (Solo Acoustic, Undated) (1:33) 12. Don't Want It All (Solo Acoustic, Undated) (2:26) 13.

Clean Up Before She Comes (Solo Acoustic, Undated) (3:13) 14. Polly (Solo Acoustic, 1988) (2:30) 15. About A Girl (Solo Acoustic, 1988) (2:45) 16. Blandest (Demo, 1988) (3:56) 17.

Dive (Demo, 1988) (4:51) 18. They Hung Him On A Cross (Demo, 1989) (1:57) 19. Grey Goose (Demo, 1989) (4:36) 20. Ain't It A Shame (Demo, 1989) (2:02) 21. Token Eastern Song (Demo, 1989) (3:21) 22.

Even In His Youth (Demo, 1989) (3:13) 23. Polly (Demo, 1989) (2:37) CD 2 01. Opinion (Solo Acoustic, 1990) (1:34) 02. Lithium (Solo Acoustic, 1990) (1:49) 03. Been A Son (Solo Acoustic, 1990) (1:13) 04. Sliver (Solo Acoustic, 1989) (2:10) 05. Where Did You Sleep Last Night (Solo Acoustic, 1989) (2:32) 06.

Pay To Play (Demo, 1990) (3:29) 07. Here She Comes Now (Demo, 1990) (5:02) 08. Drain You (Demo, 1989) (2:38) 09. Aneurysm (Demo, 1990) (4:48) 10. Smells Like Teen Spirit (Rehearsal Demo, 1991) (5:41) 11. Breed (Rough Mix, 1991) (3:08) 12. Verse Chorus Verse (Outtake, 1991) (3:18) 13.

Old Age (Outtake, 1991) (4:20) 14. Endless, Nameless (Radio Appearance, 1991) (8:48) 15. Dumb (Radio Appearance, 1991) (2:35) 16.

D-7 (Radio Appearance, 1990) (3:47) 17. Oh The Guilt (B-Side, 1992) (3:26) 18. Curmudgeon (B-Side, 1992) (3:04) 19. Return Of The Rat (Outtake, 1992) (3:09) 20. Smells Like Teen Spirit (Butch Vig Mix - Recorded May, 1991) (4:59) CD 3 01. Rape Me (Solo Acoustic, 1992) (3:23) 02. Rape Me (Demo, 1992) (3:02) 03.

Scentless Apprentice (Rehearsal Demo, 1992) (9:33) 04. Heart Shaped Box (Demo, 1993) (5:32) 05.

I Hate Myself And I Want To Die (B-side, 1993) (4:03) 06. Milk It (Demo, 1993) (4:35) 07.

Moist Vagina (Demo, 1993) (1:57) 08. Gallons Of Rubbing Alcohol Flow Through The Strip (B-side, 1993) (7:34) 09. The Other Improv (Demo, 1993) (6:24) 10. Serve The Servants (Solo Acoustic, 1993) (1:36) 11. Very Ape (Solo Acoustic, 1993) (1:53) 12.

Pennyroyal Tea (Solo Acoustic, 1993) (3:30) 13. Marigold (B-side, 1993) (2:34) 14. Sappy (Retitled 'Verse Chorus Verse' for Release) (B-side, 1993) (3:27) 15. Jesus Doesn't Want Me For A Sunbeam (Rehearsal Demo, 1994) (3:58) 16. Do Re Mi (Solo Acoustic, 1994) (4:25) 17. You Know You're Right (Solo Acoustic, 1994) (2:31) 18.

All Apologies (Solo Acoustic, Undated) (3:33) Descarga. Spank Thru (1985 Fecal Matter Demo) (3:45) 02. Heartbreaker (Live) (2:59) 03.

Butterworth (Rehearsal Demo) (4:05) 04. Floyd The Barber (Live) (2:33) 05. Clean Up Before She Comes (Home Demo) (3:13) 06. About A Girl (Home Demo) (2:45) 07.

Blandest (Studio Demo) (3:57) 08. Ain't It A Shame (Studio Demo) (2:03) 09.

Sappy (1990 Studio Demo) (3:33) 10. Opinion (Solo Acoustic Radio Appearance) (1:35) 11.

Lithium (Solo Acoustic Radio Appearance) (1:50) 12. Sliver (Home Demo) (2:10) 13. Smells Like Teen Spirit (Boom Box Version) (5:41) 14. Come As You Are (Boom Box Version) (4:11) 15. Old Age (Nevermind Outtake) (4:21) 16. Oh The Guilt (3:26) 17. Rape Me (Home Demo) (3:23) 18.

Rape Me (Band Demo) (3:03) 19. Heart Shaped Box (Band Demo) (5:33) 20. Do Re Mi (Home Demo) (4:25) 21.

You Know You're Right (Home Demo) (2:31) 22. All Apologies (Home Demo) (3:33) Descarga.

Here She Comes - Out Take '91 02. In The Pines - Out take 91 03. Pennyroyal Tea - Out take '93 04. I Hate Myself - Out take '93 05. Sappy - Out take '93 06.

Spank Thru - Out take '88 07. Blandest - Out Take '88 08. If you must - Out Take '88 09.

Pen Chap Chew - Out take '88 10. Do you love me - Out Take '89 11. Been a son - Out Take '89 12.

In bloom - Out take '90 13. Easy Tool For Keygen Photoshop. Dee Seven - Out Take '93 14.

Return of rat - Out take '90 15. Help me - Live '89 16. Junkyard - Live '89 17. Talk to me - Live '91 18. Money will roll - Live '92 19. In his hands - Out take '90 20.

Clean Up - Out Take '87 21. Opinion - Out take '90 22. Seed - Out take '88 23. Sad - Out take '88 Descarga.

CD 1 - Remastered 01. Smells Like Teen Spirit 02. Come As You Are 04. Territorial Pissings 08.

Drain You 09. Lounge Act 10. Stay Away 11.

On a Plain 12. Something in the Way 13. Endless Nameless 14.

Even In His Youth [B-Side] 15. Aneurysm [B-Side] 16. Curmudgeon [B-Side] 17. D-7 [Live at the BBC] 18. Been A Son [Live] 19.

School [Live] 20. Drain You [Live] 21. Sliver [Live] 22. Polly [Live] CD 2 - Sessions - Rehearsals - Live The Smart Studio Sessions: 01. Immodium (Breed) 03.

Pay To Play 06. Here She Comes Now 07. Sappy The Boombox Rehearsals: 09. Smells Like Teen Spirit 10.

Verse Chorus Verse 11. Territorial Pissings 12. Lounge Act 13. Come As You Are 14. Something In The Way 16. On A Plain BBC Sessions Live: 17. Drain You 18.

Something In The Way CD 3 - Mixes The Devonshire Mixes: 01. Smells Like Teen Spirit 02. Come As You Are 04.

Territorial Pissings 07. Drain You 08. Lounge Act 09.

Stay Away 10. On A Plain 11. Something In The Way CD 4 - Live Live At The Paramount Theatre: 01. Jesus Doesn’t Want Me For A Sunbeam 02. Drain You 04. Floyd The Barber 06.

Smells Like Teen Spirit 07. About A Girl 08. Love Buzz 12. Been A Son 14. Negative Creep 15. On A Plain 16.

Territorial Pissings 19. Endless, Nameless Descarga. Serve the Servants 02. Scentless Apprentice 03. Heart-Shaped Box 04. Frances Farmer Will Have Her Revenge on Seattle 06.

Pennyroyal Tea 10. Radio Friendly Unit Shifter 11. Tourette’s 12. All Apologies 13. Gallons of Rubbing Alcohol Flow Through the Strip (ex-U.S.

Bonus track) 14. Marigold (B-side to “Heart Shaped Box” 1993) 15. Moist Vagina (B-side to “All Apologies” – Geffen GFS 66 (U.K.), 1993) 16. Sappy (from No Alternative compilation – Arista 7-2, 1993) 17. I Hate Myself And Want to Die (from The Beavis and Butt-head Experience compilation – Geffen GEFD-24613, 1993) 18. Pennyroyal Tea (Scott Litt mix) (from European CD single – Geffen GED 21907, 1994) 19. Heart-Shaped Box (Steve Albini Mix) 20.

All Apologies (Steve Albini Mix) CD 2 01. Serve the Servants (2013 Mix) 02. Scentless Apprentice (2013 Mix) 03. Heart-Shaped Box (2013 Mix) 04. Rape Me (2013 Mix) 05. Frances Farmer Will Have Her Revenge on Seattle (2013 Mix) 06. Dumb (2013 Mix) 07.

Very Ape (2013 Mix) 08. Milk It (2013 Mix) 09. Pennyroyal Tea (2013 Mix) 10. Radio Friendly Unit Shifter (2013 Mix) 11. Tourette’s (2013 Mix) 12. All Apologies (2013 Mix) 13.

Scentless Apprentice (Rio Demo) 14. Frances Farmer Will Have Her Revenge on Seattle (Laundry Room Demo) 15. Dumb (Word of Mouth demo) 16.

Very Ape (Rio Demo) 17. Pennyroyal Tea (Word of Mouth Demo) 18. Radio Friendly Unit Shifter (Word of Mouth Demo) 19.

Tourette’s (Word of Mouth Demo) 20. Marigold (Upland Studios Demo) 21. All Apologies (Music Source Demo) 22.

Forgotten Tune (Rehearsal) 23. Jam (Word of Mouth Demo) CD 3 01. Radio Friendly Unit Shifter 02. Drain You 03. Serve the Servants 05. Pennyroyal Tea 08.

Scentless Apprentice 09. All Apologies 10. Heart-Shaped Box 11. The Man Who Sold the World 13. Come As You Are 15. About a Girl 17.

Endless, Nameless Descarga.